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This is not exactly an earth-shaking revelation, but keeping this secret in mind may help you understand what s going on behind the scenes when you create and use names in your workbooks.

Extracting a section of video is a little different. Rather than deleting the video and leaving a gap, extracting it deletes the video and closes the gap. This is the easiest way to simply delete unwanted video from the middle of your video file. You can extract a section of a video layer by setting the work area around the section that you want to delete. Choose Extract Work Area from the Animation palette menu. The video layer becomes two video layers, and the second portion of the video is moved into the work area to close the gap created by the extraction. Figure 13.14 shows that the extracted video has been replaced by the remaining video. This allows uninterrupted playback of your video file without having to fill the gap that is created by lifting a video file.

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You can move an effect from one layer to another. To do this, first reveal the list of effects for the source layer by clicking the downward-pointing arrow next to its fx icon in the Layers palette. Click the effect you want to move, and drag it to the target layer in the Layers palette. To copy the effect rather than move it, hold down Alt (Option on the Mac), then click the effect and drag. You can also move or duplicate all effects in a layer at once. To move them, reveal the list of effects in the source layer, then click and drag the Effects item to the target layer in the Layers palette. To duplicate all effects, hold down Alt (Option on the Mac) before you click and drag. As well as dragging effects to a layer in the Layers palette, you can also click the effect you want to duplicate in the Layers palette and drag it straight into the document window. Release the mouse button, and Photoshop copies the effect onto the topmost layer under your mouse cursor. (You can only duplicate effects with this method; you can t move them.) Photoshop also lets you copy and paste an entire layer style from one layer to another. This includes all effects, as well as any custom blending options in the style. To do this, select the layer from which you want to copy the style and choose Layer Layer Style Copy Layer Style. You can also right-click the layer in the Layers palette, then choose Copy Layer Style from the pop-up menu. Select the layer to which you want to copy the style, and choose Layer Layer Style Paste Layer Style, or right-click the layer and choose Paste Layer Style.

1980) In addition, newer approaches to mental representation have been proposed that can account for many if not all of the same phenomena covered by schema theory, but with a much greater degree of theoretical speci city We turn now to one of these alternatives to schema theory namely, exemplar models Exemplars Generic mechanisms for mental representation (eg, schemas) assume that people forge abstract or prototypical models of reality by inducing generalities across similar, particular instances A major alternative to this view was provided by exemplar models (eg, Smith & Z rate, 1992), which hold that social cognition is based on speci c representations of individual instances Instead of relying on precomputed generalizations, perceivers are assumed to retrieve and use sets of prior relevant and speci c experiences to guide their social information processing.

Geometric characteristics, such as the spatial, spectral, and temporal structure of measurements and sampling rates Noise and statistical characteristics Physical characteristics, such as spectral and polarization sensitivities, linearity, dynamic range, and responsivity

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